Siri
“Siri” made quite a splash in 2011. Two splashes, to be more precise: one in the shape of Apple’s software assistant, and another as Göran Söderström’s new sans serif typeface. Not the same size of...
View ArticleTrim
I’ve always considered grabbing attention to be the main point of the Grotesque genre. Where Humanists are built for immersion, Grotesques — with their tall x-heights, tight spacing, and narrow...
View ArticleLine
Until recently, hairline fonts (typefaces with an ultra-thin, near-monolinear stroke width) were rare beasts. It is easy to see why: making a well-balanced hairline face requires superior drawing...
View ArticleEksell Display
Eksell Display is an odd font in more ways than one. Some of its letters are decidedly strange, but so also are its origins and its reason for being. The design is based on an alphabet — not a typeface...
View ArticleSiri
“Siri” made quite a splash in 2011. Two splashes, to be more precise: one in the shape of Apple’s software assistant, and another as Göran Söderström’s new sans serif typeface. Not the same size of...
View ArticleTrim
I’ve always considered grabbing attention to be the main point of the Grotesque genre. Where Humanists are built for immersion, Grotesques — with their tall x-heights, tight spacing, and narrow...
View ArticleLine
Until recently, hairline fonts (typefaces with an ultra-thin, near-monolinear stroke width) were rare beasts. It is easy to see why: making a well-balanced hairline face requires superior drawing...
View ArticleEksell Display
Eksell Display is an odd font in more ways than one. Some of its letters are decidedly strange, but so also are its origins and its reason for being. The design is based on an alphabet — not a typeface...
View ArticleIvar
Sometimes, it’s the smallest details that have the biggest impact, and never has a truer word been spoken than when evaluating a typeface. In the case of Ivar, it was the petal-like terminal on the a...
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